Nieman Narrative Journalism Conference

November 30 - December 2, 2001
Hyatt Regency Hotel
Cambridge, Massachusetts, U.S.A.


A Note about the Schedule:

A conference schedule remains a work-in-progress--a title or two may change or a speaker call in sick. But here's the program, and it's an exciting one. If you feel frustrated that each choice means giving up another good choice, we've done our job. However, we've contracted with a company to tape every session; tapes will be sold during the conference, and afterward, on our web site.

There is NO REGISTRATION NECESSARY FOR SPECIFIC SESSIONS this year. Just register for the conference and show up.

At our new location, the Hyatt Regency Cambridge, 575 Memorial Drive in Cambridge, you'll find it far easier to meet others attending, to discuss, network, share ideas, locate lunch and supper companions. The Nieman Foundation will provide attendees light breakfast and box lunch both Saturday and Sunday. Hors d'oeuvres Friday, too. Friday evening, and during lunches, there'll be readings (and films and radio pieces) by our speakers.

We've scheduled each speaker for a solo and a panel. And each day ends with a "cafe session" for late discussion.

We're looking forward to seeing you.


Friday
November 30

2:30-5:30

Registration

Lobby, Hyatt Hotel, Memorial Drive, Cambridge

  

4:00-5:15:

Nora Ephron
Telling the Story

  

5:30-7:15

Readings

Isabel Wilkerson
Jill Lepore
Nora Ephron
Ilan Stavans
Stan Grossfeld
Mark Kramer

  

7:15-8:15

Mixer: Cash Bar and hors d'oeuvres

  

9:00-10:00

CAFÉ SESSION

Bob Batz of the Pittsburgh Post-Gazette and Angela Cara Pancrazio of the Arizona Republic
Nuts and Bolts of Starting and Maintaining Narrative Journalism Writers Groups and News Letters


Saturday
December 1

8:00-9:00

Registration and continental breakfast

Lobby

  

9:00-9:30

Welcome

  

9:45-11:00

Gay Talese
A New Journalist's Suggestions for Daily Journalists

David Fanning
The Narrator's Voice: Finding the Story in TV Documentary

Mark Kramer
Reporting Differently: How to Come Back with a Notebook Full of Narrative

Jill Lepore
Writing for History: Historical Writing and the Revival of Narrative

Nan Talese and Stewart O'Nan
How to Get the Most from your Editor; How to Get the Most from Your Writer: Frank Talk about Editing, Publicity, Deadlines, Style and Perfection

  

11:15-12:30

Bruce DeSilva
Endings: The Second Most Important Thing

Rick Bragg
Writing in Color

Morgan Entrekin
The Editorial Partnership: Peeling Down to the Story

Steve Holmes
Narrative Policy and Politics: Using Story to Approach Political Topics

  

12:30-1:45

Box Lunch and Readings

Gay Talese
Emily Hiestand
Steve Holmes
Jim Collins
Rick Bragg

  

2:00-3:15

Jon Franklin
Beginning, Middle and End: The Shape and Psychology of Story

Emily Hiestand
Henry James on Deadline: Big Ideas Hidden (Playfully)

Adam Hochschild
My First Great Lesson in Narrative Journalism: 6 AM, February 10, 1965

Nan Talese and Morgan Entrekin
The Sorts of Books We Work On and How to Work on Them With Us

  

3:30-4:45

Tom French
Serial Narratives: The Mechanics of Unfolding

Ilan Stavans
The Narrative Writer as Intellectual Traveler

Stewart O'Nan
Not Stopping: Finding Ways to Continue with Creative Work While Still Engaged in the Busy World

Stan Grossfeld and Steve Holmes
Life Out of the Spotlight: Finding the News in Ordinary Lives

Jacqui Banaszynski and Jim Collins
Editing Narrative for Newspapers and Magazines

  

5:00-6:15

Ira Glass
Show Biz Values in Journalism

  

8:00-9:00

CAFÉ SESSION

Lee Gutkind, Joe Mackall and Dan Lehman
Literary Magazines: What We Look For in Narrative Journalism


Sunday
December 2

8:30-9:00

Registration and continental breakfast

Lobby

  

9:00-10:45


Keynote Panel:
Excellence: What Makes Fine Narrative?

Moderated by Bob Giles, Curator of The Nieman Foundation

Jacqui Banaszynski, Ira Glass, Isabel Wilkerson, David Fanning, Chip Scanlan, Gay Talese, Rick Bragg and Mark Kramer

  

11:00-12:15

Chip Scanlan
Storyteller's Toolbox: Practical Ways to Manage Your Time, Your Stories, Yourself

Nan Talese
From Article to Book

Stan Grossfeld
Image and Narrative: How To Take Photos that Make a Difference

Emily Hiestand, Tom French and Adam Hochschild
Memoir: What Goes In and What Stays Out

  

12:30-1:45

Box Lunch and Readings

Ira Glass
Tom French
Chip Scanlan
Stewart O'Nan
Adam Hochschild

  

2:00-3:15

Isabel Wilkerson
Accelerated Intimacy: Working Well With Sources

Jim Collins
Between Editor and Writer: What My Best Writers Have Taught Me about Topic Selection, Reporting, Sentence Structure, and Voice

Adam Hochschild, Jill Lepore and Ilan Stavans
The Historian as Writer, the Writer as Historian

Jon Franklin, Chip Scanlan and Bruce DeSilva
It's the Story, Dummy; No, It's the Voice, You Fool; No, It's the Concept, You Buttonhead: A Love Fest on the Elements of Narrative

  

3:30-4:45

Jacqui Banaszynski
Wingwalkers and Storytellers: Defying the Bonds of Journalistic Convention

  

4:45-5:00

Mark Kramer's Farewell



The Nieman Foundation Program on Narrative Journalism
Harvard University
E-mail: Nieman-narrative@harvard.edu
Web page: http://www.nieman.harvard.edu/narrative
Conference phone: (617) 496-4055


The Nieman Foundation for Journalism at Harvard University
Lippmann House, One Francis Avenue
Cambridge, MA 02138, U.S.A.
telephone: (617) 495-2237
fax: (617) 495-8976
© 2008 by the President and Fellows of Harvard College