Author Interview

Barbara Brotman

The Parting: One Man's Final Journey

Chicago Tribune

Author Comments on "The Parting"

When I began working on this story, I was worried about how to write about someone's religious beliefs without sounding cliched. God-talk can get awfully syrupy. Without observable or provable facts to hang those parts of the story on, you can be left with vague and uninteresting professions of faith.

But because I was able to rely on his conversations with a hospice chaplain, I was able to get away from writing a story in which he simply talked about his faith. Because I followed him through both his illness and his doubts, there was a sense of movement. Because he was honest to the point of pain with the chaplain, the conversations were more compelling than an interview might have been.

And though I kept my own thoughts and background to myself, the fact that I was raised with little religion gave me that ideal position of a curious outsider. If the story had a sense of detached curiosity, it's because that reflected my actual feelings.

The biggest challenge in writing the story was getting out of the realm of the mind and into the physical world of the nursing home. For five months, there was no change of scenery. Mr. Clifton was lying in bed or sitting up in bed. I struggled to find details to make those conversations more vivid.

The intimacy of those scenes was a matter of luck, trust and Art Clifton's openness. He had become comfortable with my presence. He was introspective enough to feel doubt, and courageous enough to express it.

I tried to write about his faith struggle as matter-of-factly as I would about any emotional conflict, and yet also write with enough elegance to do justice to the profound stakes. But mostly, both in finding a character with a matter-of-fact approach to religion and in being present at crucial moments, I was very lucky.